1. Why might an author create a deeply flawed protagonist?
2. Does having a deeply flawed, even dishonest, protagonist undermine the credibility of the author and their novel, or perhaps increase it?
2. Does having a deeply flawed, even dishonest, protagonist undermine the credibility of the author and their novel, or perhaps increase it?
3. Is Edna flawed, or simply being true to herself now that she
knows herself better?
4. Is it better to live unhappily but with fidelity to others
whom you have made a commitment to (wives, husbands, children, other loved
ones), or should one leave a situation which does not fulfill their deepest
self? Is there always a middle path?
What do you think Edna should do?
Bonus question: What would Emerson say? (The allusion to Edna reading Emerson for the
purpose of self-improvement is no accident)
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