Learning Target: I can identify and reflect on AP question types designed to assess specific types of rhetorical awareness.
Bellringer: What did you find most challenging about yesterday's passages and questions?
Keep in mind that you had only 25-26 minutes to answer 25 questions, while on a normal AP exam you would have 60 minutes to answer 55 questions (i.e., you would have potentially had a few more seconds for each question if this were an actual AP exam). Time was probably a factor for most of you, so definitely reflect on that, but also try to reflect on at least one other challenge you experienced yesterday. (4 mins)
Pair and share with someone near you. (2 mins)
Activity 1: Read and annotate Analysis of the Directions and Test-Taking Strategies on pages 10-12 (top half). (5 mins) Quick write (1 minute): Which tips were most helpful or surprising?
Pair and share with someone near you (2 mins)
Activity 2: Music Break (5 minutes)...
Discuss one of your Mix Tapes songs with your partner. What makes it a top-ten lifetrack for you?
Whole class music sharing (5 mins)...If I call on you, tell the class a little about the song your partner shared with you.
Activity 3: Read the Question Categories on pp 12-14. Then, take out the question packet from yesterday, and then, working with a partner, label each question (1-25) according to the question type. (15 minutes)
Activity 4 (10 mins): Mr. Wesley returns your score sheet. Working independently, turn to page 20 to figure out which ones you missed and what the question category was for each missed question - label the question types next to the questions in the passage and question types or your grade/cam sheet. Also, on pages 21-22, read the answer explanations for the questions you missed.
Homework: On the turnitin discussion board, write a paragraph reflection on the following: 1) The primary challenges you faced with the practice MC section and 2) what you might work (strategy-wise or skill/content-wise) to improve your reading passage scoring moving forward. (2 points)
Thursday, April 30, 2015
Wednesday, April 29, 2015
Day 1 AP Language & Composition Test Prep
Day 1 AP Language & Composition Test Prep
Materials:
25 question gradecam forms
Cliff’s AP Language & Comp pp 1-14
Cliff’s MC Practice Test (pp 17-19)
Hand out 25 question gradecam form
Guide students through highlights of pp. 1-14 about the test
and strategies (25 minutes)
Hand out the Cliff’s MC Practice Test (pp 17-19) and have
them take the test (25-27 mins)
Have students hand in the gradecam sheet at the end of
class, but hold onto the actual MC practice test
Tuesday, April 28, 2015
Learning Target: Don't fight the funk. I can identify what moves me and why.
Desert Island Mix-Tape: Ten songs, one to three sentence comments on each choice (and maybe a visual decal for you creative types)
One of my top ten songs...
Papa Was A Rolling Stone
by The Temptations
Other R&B fav's...
Ain't No Sunshine by Bill Withers
Everyday People by Sly and the Family Stone
Try a Little Tenderness by Otis Redding
Proud Mary by Ike and Tina Turner
Love Rollercoaster by The Ohio Players
Atomic Dog by Parliament
New School/Old School
Hey Ya by Outkast
Miscellaneous make-up work & activities
Homework:
Bring Cliff's AP Language and Composition book tomorrow
Desert Island Mix-Tape: Ten songs, one to three sentence comments on each choice (and maybe a visual decal for you creative types)
One of my top ten songs...
Papa Was A Rolling Stone
by The Temptations
Other R&B fav's...
Ain't No Sunshine by Bill Withers
Everyday People by Sly and the Family Stone
Try a Little Tenderness by Otis Redding
Proud Mary by Ike and Tina Turner
Love Rollercoaster by The Ohio Players
Atomic Dog by Parliament
New School/Old School
Hey Ya by Outkast
Miscellaneous make-up work & activities
Homework:
Bring Cliff's AP Language and Composition book tomorrow
Monday, April 27, 2015
Choose one of the following prompts and write an
insightful, coherent, and textually-supported essay in response. You may use
your copy of Beloved to help you find
pertinent quotes for your essay (each essay should contain three to four properly
cited (pg #) quotes embedded into your sentences). The essay is worth 70 possible points, and I
will assess it holistically according to the rubric on the back of your essay prompt sheet (please staple that sheet to the back of your essay). Also, submit a digital copy of your essay to turnitin.com.
1. Choose a character from Beloved who is pulled in
conflicting directions. Identify the forces of conflict and explain how this
illustrates the meaning of the novel as a whole. Do not merely summarize the
plot.
4. The quest for power is a strong human drive. Choose
a character from Beloved who either
seeks to gain power over another or seeks to free himself or herself from the
power of another. Write an essay in which you illustrate how this power
struggle is essential to the meaning of the novel. Avoid mere plot summary.
Thursday, April 23, 2015
1) Explain what you think Denver means when Paul D asks Denver, "You think she sure 'nough your sister?" and she replies, "At times. At times I think she was -- more."
2) Who is Paul D talking about and what do you think he means when he says, "There are too many things to feel about this woman" (272)? Do you agree with his assessment of her? What do you think he means?
3) What is the significance of the line: "This is not a story to pass on."? Has Beloved left any trace? Why write a story that should not be passed on?
Slavery and The Making of America
Tomorrow we will prep for an in-class essay on Monday or Tuesday.
Wednesday, April 22, 2015
Tuesday, April 21, 2015
Reading day: Finish reading chapter 26 (to the end of 309) and post a chapter 26 question for discussion to turnitin.com. We will have a reading quiz Wednesday or Thursday (40 points) on chapters 19-26. It will be quotes followed by questions about those quotes (e.g., who is speaking to whom). In-class essay (60 points) will follow soon, probably Friday or Monday/Tuesday.
Friday, April 17, 2015
HW: Read to the break at the top of 288 for Tuesday. (Group Guidance on Monday)
Part 1: Summary... With your assigned partner, do your best to paraphrase/summarize your assigned chapter as best as you are able in about one-page. embedding at least four quotes into the summary.
Part 2: Analysis of Challenges... After your summary, feel free to acknowledge particular ambiguities and uncertainties surrounding particularly challenging lines, format, or organization. Identify one or two particularly challenging lines/passages of the chapter, explaining why they are difficult and proposing possible interpretation. About a paragraph in length.
When all the groups are done, read your respective summaries and analyses of challenges to the other tandems within your group and then ask if they have any questions, corrections, comments. After receiving feedback, the tandem which just presented can make edits to their summary and analysis sections if necessary.
Hand in to Mr. Wesley at the end of class.
Part 1: Summary... With your assigned partner, do your best to paraphrase/summarize your assigned chapter as best as you are able in about one-page. embedding at least four quotes into the summary.
Part 2: Analysis of Challenges... After your summary, feel free to acknowledge particular ambiguities and uncertainties surrounding particularly challenging lines, format, or organization. Identify one or two particularly challenging lines/passages of the chapter, explaining why they are difficult and proposing possible interpretation. About a paragraph in length.
When all the groups are done, read your respective summaries and analyses of challenges to the other tandems within your group and then ask if they have any questions, corrections, comments. After receiving feedback, the tandem which just presented can make edits to their summary and analysis sections if necessary.
Hand in to Mr. Wesley at the end of class.
Wednesday, April 15, 2015
Sketches/chalks of Chicago artist Charles White
Homework: Read chapters 22 and 23. If you did not post a link last night, you should write a 5-7 sentence reaction to one of the student posts from yesterday AND you should then also post a link of your own with an explanation of the link and its relevance to Beloved or its themes and topics. (8 points or zero). Folks who posted last night only have to do the reading for tomorrow, no other work.
Tennessee
Arrested-development-tennessee-lyrics
1) 5 minutes: Write a reflection on some of the connections (themes, images, attitudes/beliefs/symbols, common motifs, etc). which overlap with Beloved (especially chapter 19) and also feel free to comment on the different or unique ways that Arrested Development articulates these ideas.
2) 5 minutes: Stylistically, what did you notice about the song? Address some lyrical and musical characteristics you found interesting/significant for the song.
Tennessee by Arrested Development
Arrested-development-tennessee-lyrics
1) 5 minutes: Write a reflection on some of the connections (themes, images, attitudes/beliefs/symbols, common motifs, etc). which overlap with Beloved (especially chapter 19) and also feel free to comment on the different or unique ways that Arrested Development articulates these ideas.
2) 5 minutes: Stylistically, what did you notice about the song? Address some lyrical and musical characteristics you found interesting/significant for the song.
Tennessee by Arrested Development
Lord I've
really been real stressed
Down and
out, losing ground
Although I
am Black and proud
Problems got
me pessimistic
Brothers and
sisters keep messin up
Why does it
have to be so damn tough
I don't know
where I can go
To let these
ghosts out of my skull
My grandma's
passed, my brother's gone
I never at
once felt so alone
I know
you're supposed to be my steering wheel
Not just my
spare tire (home)
But Lord I
ask you (home)
To be my
guiding force and truth (home)
For some
strange reason it had to be (home)
He guided me
to Tennessee (home)
Take me to
another place
Take me to
another land
Make me
forget all that hurts me
Let me
understand your plan
Lord it's
obvious we got a relationship
Talking to
each other every night and day
Although
you're superior over me
We talk to
each other in a friendship way
Then outta
nowhere you tell me to break
Outta the
country and into more country
Past
Dyersburg into Ripley
Where the
ghost of childhood haunts me
Walk the
roads my forefathers walked
Climbed the
trees my forefathers hung from
Ask those
trees for all their wisdom
They tell me
my ears are so young (home)
Go back to
from whence you came (home)
My family
tree my family name (home)
For some
strange reason it had to be (home)
He guided me
to Tennessee (home)
[Interlude:
Aerle Taree]
Eshe, she
went down to Holly Springs
Rasadon and
Baba, they went down to Peachtree
Headliner, I
challenge you to a game of horseshoes, a game of horseshoes
Now I see
the importance of history
Why my
people be in the mess that they be
Many
journeys to freedom made in vain
By brothers
on the corner playing ghetto games
I ask you
Lord why you enlightened me
Without the
enlightment of all my folks
He said
cause I set myself on a quest for truth
And he was
there to quench my thirst
But I am
still thirsty
The Lord
allowed me to drink some more
He said what
I am searching for are
The answers
to all which are in front of me
The ultimate
truth started to get blurry
For some
strange reason it had to be
It was all a
dream about Tennessee
Headliner, I
won the game of horseshoes
Now you owe
me a watermelon
Let's go
climb trees and skip over rocks
Do like they
do below the border
Speech's
hair
Don't it
look like the roots of the tree that the ancestors were hung from
But that's
okay, get it cause he's down to Earth
HW: Read chapters 20-21 (236-247) and post a link to one outside digital source (song, news event, poem, prayer, historical event, novel, etc) which you feel might provide meaningful lens or connection to chapter 19-21 events, themes, and symbols, or allude to modern-day echoes of the events, themes, symbols found throughout 19, 20 or 21) or the novel as a whole. Along with embedding the link into your discussion post, explain what the link is about and why you feel it might add another dimension to our reading and connection with the novel. If possible, print a page of your digital text and bring it to class.
HW: Read chapters 20-21 (236-247) and post a link to one outside digital source (song, news event, poem, prayer, historical event, novel, etc) which you feel might provide meaningful lens or connection to chapter 19-21 events, themes, and symbols, or allude to modern-day echoes of the events, themes, symbols found throughout 19, 20 or 21) or the novel as a whole. Along with embedding the link into your discussion post, explain what the link is about and why you feel it might add another dimension to our reading and connection with the novel. If possible, print a page of your digital text and bring it to class.
Monday, April 13, 2015
Chapter 17: Paul D keeps repeating "'this ain't
her mouth'" while Stamp Paid is trying to tell him about what Sethe has
done (185). Why does Morrison have Paul keep repeating how the mouth in the
drawing isn't Sethe's? Is it his way of saying it was not really Sethe who did
this horrible thing? Is he just in denial?
Chapter 18: Sethe mentions how "there wasn't
nobody" to talk to about how to take care of children (188). Is the lack
of a mentor to help Sethe raise her children part of the reason why she felt
she had to kill her children to protect them? If there would have been another
mother around Sethe would it have changed the decision she made?
Homework: Read a portion of Chapter 19( from 199 to the break near the top of 222). Please post one question for discussion on turnitin.com.
Homework: Read a portion of Chapter 19( from 199 to the break near the top of 222). Please post one question for discussion on turnitin.com.
Friday, April 10, 2015
Bellringer:
1) Why do you think Sethe did what she did? Given the horror of it, do you think such an action could be justified, even in such circumstances? How do you feel about Sethe now?
2) How do you think she explained her actions to her surviving children? Do you think they forgave her or ever really trusted her again?
3) Schoolteacher purposefully left one of his nephews at home so he would "see what happened when you over beat creatures God had given you the responsibility of–the trouble it was, and the loss" (176). If he was so intent upon making sure his nephews knew how to behave why do you think he didn't stop them from raping Sethe, seeing as he was there when it happened? Why wasn't the other nephew punished in the same manner? What does this show about the superiority complex that whites had created for themselves during this time period?
Homework: Chapters 17-18 and post a discussion question for each chapter
1) Why do you think Sethe did what she did? Given the horror of it, do you think such an action could be justified, even in such circumstances? How do you feel about Sethe now?
2) How do you think she explained her actions to her surviving children? Do you think they forgave her or ever really trusted her again?
3) Schoolteacher purposefully left one of his nephews at home so he would "see what happened when you over beat creatures God had given you the responsibility of–the trouble it was, and the loss" (176). If he was so intent upon making sure his nephews knew how to behave why do you think he didn't stop them from raping Sethe, seeing as he was there when it happened? Why wasn't the other nephew punished in the same manner? What does this show about the superiority complex that whites had created for themselves during this time period?
Homework: Chapters 17-18 and post a discussion question for each chapter
Thursday, April 9, 2015
Beloved Chapters 13-14
HW: Tonight, read chapters 15 and 16 in Beloved and respond to the turnitin discussion board question/prompt. I will post the prompt by 4pm.
Wednesday, April 8, 2015
Bellringer: Find one passage that struck you as especially powerful or interesting and then and explain the potential symbolic significance of the passage while considering/referencing topics raised in one or more of the following chapters (chptrs 1, 2, 3, 10, 11, 15, 18, 20, 23).
How To Read Literature
Like A Professor chapter titles
Chapter 1: Every Trip Is a Quest (Except When It’s Not)
Chapter 2: Nice to Eat with You: Acts of Communion
Chapter 3: Nice to Eat You: Acts of Vampires
Chapter 4: If It’s Square, It’s A Sonnet
Chapter 5: Now, Where Have I Seen Her Before?
Chapter 6: When In Doubt, It’s from Shakespeare . . .
Chapter 7: . . . Or the Bible
Chapter 8: Hanseldee and Greteldum
Chapter 9: It’s Greek to Me
Chapter 10: It’s More Than Just Rain or Snow
Chapter 11: More Than It’s Gonna Hurt You: Concerning
Violence
Chapter 12: Is That a Symbol?
Chapter 13: It’s All Political
Chapter 14: Yes, She’s a Christ Figure, Too
Chapter 15: Flights of Fancy
Chapter 16: It’s All About Sex . . .
Chapter 17: . . . Except Sex
Chapter 18: If She Comes Up, It’s Baptism
Chapter 19: Geography Matters . . .
Chapter 20: . . . So Does Season
Chapter 21: Marked for Greatness
Chapter 22: He’s Blind for a Reason, You Know
Chapter 23: It’s Never Just Heart Disease . . .
Chapter 24: . . . And Rarely Just Illness
Chapter 25: Don’t Read with Your Eyes
Chapter 26: Is He Serious? And Other Ironies
Tuesday, April 7, 2015
Learning Target: I can read closely and critically and and generate meaningful connections and inquiries about the text.
Annotate for archetypes and "How to Read Like a Professor" connections in chapters 10 through 12.
In-class: Read Chapters 10 through 12 and complete paraphrase and question sheets for tomorrow's discussion.
Annotate for archetypes and "How to Read Like a Professor" connections in chapters 10 through 12.
In-class: Read Chapters 10 through 12 and complete paraphrase and question sheets for tomorrow's discussion.
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